Some prefer their witches with a Charmed imbued cuteness. Others enjoy theirs as a cackling spew against darkened cauldrons. Nicely, Count the Clock Productions has decided to present their succulent sorceresses with some Poe-like zest…as evidenced by their latest Gothic short, The Ball.
Filled with director Zach Lorkewicz’s expected visual flourishes, this rhyming exercise from the pen of Michael Coe, a truly unique approach for a horror entry, begins happily. An ebullient young lass named Pearlie (a personably subtle Avril Dominguez) prepares for the arrival of her beau for an elegant night on the town. But a ghost from her past soon threatens to mask the evening in revenge and tragedy. Pearlie, therefore, must summon up some persuasive powers to ensure that her night goes according to plan.
Enjoyably, Lorkewicz’s always unusual, highly developed artistic flair is accentuated here by a neat capper of an ending.
Some folks dip their toes in the pool. Others dive in, body first.
Derrick Carey of the sick cinematic podcast Astro Radio Z belongs to the latter category. He and various other mutants, myself included, have been immersing themselves in the deep end by analyzing the low budget soft core horror series Witchcraft – for…gulp…years now!
Naturally, now that Witchcraft 14: Angel of Death, Witchcraft 15: Blood Roseand Witchcraft 16: Hollywood Covenhave been unleashed upon the world, we had to take a look and give our (sometimes) zany, (occasionally) well modulated opinions on them. Nicely, we are joined here by Dustin Hubbard, an accomplished filmmaker and, perhaps, the greatest Witchcraft fan ever.
The second issue of the Chilling Adventures of Sabrina, the new comic that puts the beloved golden haired Archie denizen in a spooky 60s setting, briefly features Ann-Margret as one of the teen’s show biz muses and a fellow enchantress in mystical arts. This should come as no surprise to the faithful whom have always found Ann-Margret simply bewitching.
Even when expressing heartbreak, this saucy wonder, whose genre credits include Magic (with Anthony Hopkins) and 2006’s Memory, always sounds as if it won’t be long before she’ll be turning the tables on her target.
Don’t believe me? Check out her 1961 hit I Just Don’t Understand. Later covered by The Beatles, this number was one of the first to feature the fuzz-tone guitar and contains a purring, totally seductive and completely in control performance from our lady of the hour!
Acting like a witch isn’t always a bad thing – especially when you are talking about Charlie Irving and Aaron Cammack, the two versatile performers playing seductive witches in New American Folk Theatre’s Dark of the Moon. I, recently, had the chance to talk with this fabulously talented duo and I am still feeling beguiled and fascinatingly charmed!