Some prefer their witches with a Charmed imbued cuteness. Others enjoy theirs as a cackling spew against darkened cauldrons. Nicely, Count the Clock Productions has decided to present their succulent sorceresses with some Poe-like zest…as evidenced by their latest Gothic short, The Ball.
Filled with director Zach Lorkewicz’s expected visual flourishes, this rhyming exercise from the pen of Michael Coe, a truly unique approach for a horror entry, begins happily. An ebullient young lass named Pearlie (a personably subtle Avril Dominguez) prepares for the arrival of her beau for an elegant night on the town. But a ghost from her past soon threatens to mask the evening in revenge and tragedy. Pearlie, therefore, must summon up some persuasive powers to ensure that her night goes according to plan.
Enjoyably, Lorkewicz’s always unusual, highly developed artistic flair is accentuated here by a neat capper of an ending.
My buddy Jared insists that witches should be the next big trend in horror films. Now, if he’s talking kick-ass, feminist spellcasters – and I’m sure he is – then he just might be right on track.
For…massively awesome director Carolyn Baker has just unleashed the trailer for her latest Wisconsin based DIY effort Curse of the Hag…and it looks spooky, atmospheric and full of tough, complicated women.
Some folks dip their toes in the pool. Others dive in, body first.
Derrick Carey of the sick cinematic podcast Astro Radio Z belongs to the latter category. He and various other mutants, myself included, have been immersing themselves in the deep end by analyzing the low budget soft core horror series Witchcraft – for…gulp…years now!
Naturally, now that Witchcraft 14: Angel of Death, Witchcraft 15: Blood Roseand Witchcraft 16: Hollywood Covenhave been unleashed upon the world, we had to take a look and give our (sometimes) zany, (occasionally) well modulated opinions on them. Nicely, we are joined here by Dustin Hubbard, an accomplished filmmaker and, perhaps, the greatest Witchcraft fan ever.
The second issue of the Chilling Adventures of Sabrina, the new comic that puts the beloved golden haired Archie denizen in a spooky 60s setting, briefly features Ann-Margret as one of the teen’s show biz muses and a fellow enchantress in mystical arts. This should come as no surprise to the faithful whom have always found Ann-Margret simply bewitching.
Even when expressing heartbreak, this saucy wonder, whose genre credits include Magic (with Anthony Hopkins) and 2006’s Memory, always sounds as if it won’t be long before she’ll be turning the tables on her target.
Don’t believe me? Check out her 1961 hit I Just Don’t Understand. Later covered by The Beatles, this number was one of the first to feature the fuzz-tone guitar and contains a purring, totally seductive and completely in control performance from our lady of the hour!
As cool as they may be – you can keep your Gremlins, Silent Night, Deadly Night, Die Hard, Christmas Evil and Santa’s Slay. 1958’s stylish, witchcraft laden Bell, Book and Candle is the perfect yuletide holiday film (with a genre bent).
With a nice portion of the proceedings occurring on Christmas Eve and Christmas, this tale of Gillian, a beguiling witch who falls in love with a mortal, is not only full of romance in the traditional sense, but director Richard Quine, also, establishes a love affair with the audience and the idea of winter in the big city. He and art director Cary Odell create New York City streets full of moody lighting, soft streaks of snow and glorious cavalcades of historic apartment buildings. It’s dreamy.
As Gillian, the divine Kim Novak is, also, in her arched eye brow prime here. She and James Stewart, her co-star in that same year’s classic Vertigo, establish a believable chemistry despite their age difference and Novak definitely compels in the mystical sense, as well. This is truly one of her finest performances and the layers she provides here ring with believability and otherworldliness.
With stalwart comic support from the always reliable Elsa Lanchester and the fluidly magnetic Jack Lemmon, as members of Gillian’s family, this tale has just enough references to the occult, along with plenty of spellbinding directorial mood-craft, to make it a must-love for all well rounded fans of horror.
Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!
So, this is just like the time I went out with the drooling maniac that my mother (the lesbian prostitute nun) wanted to marry. Even though she didn’t realize it at the time, I was doing her a favor.
Likewise, the charming gents of the amazing podcast Astro Radio Z and myself have taken a bullet for all cinematic voyeurs out there by diving into the entire Witchcraft series! Yes, watching the oftentimes unbelievably boring entries in this soft core horror enterprise was both a horror and a joy – something we all point out in this the (gasp!) final episode covering the last two (ahem!) films in the series.
So, dive in – and if you find that you need a warlock to help pull you out of the mucky abyss – please DON’T call someone named Will Spanner!
Recording artists like Frank Sinatra and Peggy Lee may have thought they understood the supernatural arts when caressing their vocal cords along Cy Coleman and Carolyn Leigh’s classic tune Witchcraft. But if they never watched one of the 90s B Movie films baring that name, then they actually knew nothing of the tormented, tedious joy that the guys of Astro Radio Z (including host/founder Derrick Carey, Mark Krawczyk, Glenn Randall Buettner and myself) have experienced in our cape shrouded viewing journeys.
Yes, this time we wicked cinephiles endured the vampiric, long lasting effects of Witchcraft5–8.
Whether you find us masters of insanity or just plain crazy, you might enjoy the results below: