Monsters

All posts tagged Monsters

Review: Printsploitation 3

Published February 24, 2018 by biggayhorrorfan

Printsploitation3

If one needs evidence of the diversity of the horror fan, they have to look no further than the latest issue of Printsploitation magazine. A combination of a comic book, fine art publication and a more traditional genre magazine, this brain child of artist Scott Miller, features drawings from a number of influential indie genre artists devoted to various decades of terror cinema.

Nicely, in the third volume, the glorious black and white artwork is balanced out by a terrific article on the posters of ‘80s sexploitation flicks (and fun reviews of the films themselves) by Heavy Metal Movies author Mike “McBeardo” McPadden and a celebration of acclaimed yet obscure VHS box artist CW Taylor by Dr. Jose.

The art, itself, is an amazing display of eclectic interests and themes. From Don England’s take on Peter Cushing to Putrid’s detailed reimagining of the (much maligned) 1979 monster film Prophecy, this volume has surprises on every page. Favorites here include Corrine Halbert’s darkly innocent take on Michael from the epically trashy Euro horror Burial Ground and the beautiful rendered power profiles of such icons as Susan Tyrell, Debbie Rochon and William Girdler by Klon J. Waldrip.

Capped off by Halbert’s hypnotically quirky take on 1962 indie masterpiece Carnival of Souls on the cover, this beautiful tribute is a must have in the collection of any serious fan of the scare scene.

Printsploitation Issue No. 3 is available for purchase from

www.corinnehalbert.com and

http://printsploitation.bigcartel.com/.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Alice Faye

Published January 14, 2018 by biggayhorrorfan

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Beautiful. Violent. A showcase for the brilliance of Doug Jones. Yes, Guillermo Del Toro’s The Shape of Water is many things. But, as an ode to the cinema of old it, nicely, also introduces modern audiences to the majesty of such golden age troupers as Alice Faye, Carmen Miranda and Betty Grable.

As a prominent part of the soundtrack, Faye’s husky, thoughtful version of You’ll Never Know definitely mimics the emotional lives of the outsiders at the film’s core.

Not surprisingly, Del Toro hasn’t been the first genre specialist to recognize Faye’s brilliance. Eagle eared viewers may remember her signature stylings from Innocence, a Season Two offering from Buffy, the Vampire Slayer, as well.

Auteurs recognize. Now, it’s your turn.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Julie Wilson

Published December 3, 2017 by biggayhorrorfan

Julie_Wilson

Elegant yet slightly naughty, the legendary Julie Wilson enlivened Broadway stages, nightclubs and some minor Golden Age of Hollywood productions with her always divine, truly eclectic talents. Her electric presence was, perhaps, best met with one of her signature numbers, the fun and bawdy I’m a Bad Woman.

While, naturally, adored in the refined climes of the cabaret scene, Wilson also gave a little something to the Frankenstein Kids with her appearance on the A Face for Radio episode of Monsters…proving she was not only an eternal beauty, but a truly generous soul, as well!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Laura Branigan

Published July 16, 2017 by biggayhorrorfan

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Power ballad diva Laura Branigan almost got sold into slavery on an episode of CHiPS, but her greatest acting role had to be the mysterious Amanda Smith-Jones on the A Face for Radio episode of the syndicated ghoul fest Monsters. There she confronted an obnoxious radio host played by Morton Downey, Jr. – no surprise there, huh? – and turned him into a hideous monster-puppet.

Of course, Branigan was much better known for her smoky and truly unique renditions of popular pop songs. Among her best loved numbers, which include Gloria, Shattered Glass and The Lucky One, Hot Night from the Ghostbusters soundtrack is probably the one that will get most terror lovers bopping.

Meanwhile, Branigan, who died at the age of 52 from a cerebral aneurism, is always being remembered, fondly, at www.laurabraniganonline.com.

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Julie Wilson on Monsters

Published July 13, 2017 by biggayhorrorfan

 

Julie Angry

Sultry cabaret legend (and Broadway performer) Julie Wilson joined the ranks of such acclaimed stage doyennes as Vivian Blaine, Gisele McKenzie and Patricia Morison when she appeared on the 1991 Monsters episode, A Face for Radio. All these grand dames of the dusky boards had horror credits to their names and Wilson was a welcome addition to the club.

Julie MortonHere as the clairvoyant Cassandra, Wilson tries to warn Morton Downey,  Jr.’s obnoxious Ray Bright about impending danger. Of course, Bright treats Cassandra with nothing but skeptism and scorn. Despite this hateful onslaught, Wilson allows her character to maintain the cool regality that made her a wonder of the song set and establishes Cassandra as someone with both compassion and a rigid will. Naturally, Bright’s cynicism eventually relegates him to the clutches of a Dick Smith inspired creature in the episode’s penultimate awakening. Still, the finest moments here, for terror freaks who like the horror mixed with a cup of class, belong to Wilson.

Julie Monster

Interestingly, the smoky Laura Branigan, a singer who possessed a much different style yet equally passionate fan base, also appears here as the woman who helps spell Downey’s doom.  All in all, it’s a twisted music lover’s wonderland.

julie singing

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Eva Everything

Published June 4, 2017 by biggayhorrorfan

eva everything

Independent and adventurous, Canadian singer Eva Everything produced an album, an E.P. and a handful of eclectic music videos in the ’80s, all decorated with a groovy, DIY vibe.

This energy led to the inclusion of No Pleasure, perhaps her most popular song, in Tibor Takacs’ mini-monster, home invasion fest The Gate.

Meanwhile, her video for that song’s companion piece, Painless, rings with comedy, truth and entrepreneurship. Everyone here worked on a volunteer basis.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

the gate

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Review: The Barn

Published January 26, 2017 by biggayhorrorfan

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Murderous ghouls in horror films can get away with almost anything…stabbings…beheadings…castrations. But stealing someone’s bag of candy? Well, then they may just have some serious retaliation on their hands. The dynamic resurrected killers in Justin Seaman’s ambitiously fun The Barn discover this the hard way when the film’s determined hero Sam and Josh, his plucky best friend, come after them to retrieve their purloined goods. Oh, and of course, to avenge their friends’ deaths and bring a halt to the dreaded Feeding which is sure to cause world doom. the-barn-2

But this visceral adventure is also a wake-up call for the youthful Sam (an effective Mitchell Musolino), who is full of holiday pranks and addicted to mindless diversions. Chastened into public service, after a joke-gone-wrong, the resourceful Sam eventually figures out a way to do his good deed while on a road trip to see his favorite metal band. Unfortunately, he and his friends stumble upon a remote barn and unleash a trio of monstrous entities that soon lay siege to their bodies and to a small town’s Halloween celebration. Therefore, it is up to Sam to embrace his imminent adulthood and try to save the day with Josh’s (the engaging Will Stout) assistance.

Adding greatly to the film’s throwback appeal, writer-director Seaman luxuriates in some memorable killers and some epic set pieces here. His terrible trio, The Boogeyman, The Candycorn Scarecrow and Hallowed Jack, drip with a satanic moodiness and are far creepier than many of the killers that populated the incredible number of imitative slashers that hit the video shelves in the mid to late 80s. A bloodbath at a local dancehall is also amazingly well choreographed by the multi-hyphenate and brings to mind projects as diverse as Brian DePalma’s Carrie and Joel Schumacher’s The Lost Boys.

the-barn-1Cameo appearances by Friday the 13th’s Ari Lehman and Linnea Quigley, America’s true goddess of horror, add to the movie’s appeal, as well. In particular, it is fun to watch Quigley, who played saucy victims in such memorable titles as Graduation Day and Night of the Demons, as she does a creative 180. Here, like in her effective turn in Full Moon’s Trophy Heads, she plays an uptight religious matron, the source of Sam’s initial downfall. With a sly sense of humor and a soft authority, she gives the production its star power – something that, given the artistry involved here, wasn’t necessarily needed for the project, but does provide a nice bonus for true fans of the genre.

The Barn (and its related goodies) is available for purchase at www.thebarnmerch.com. More information is available at https://www.facebook.com/TheBarnmovie, as well.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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