Louis Jourdan

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Music to Make Horror Movies By: Doris Day

Published March 12, 2017 by biggayhorrorfan

doris day julie 2

The girl next door. The sweetheart of WWII service men. That seductive minx of 60s romantic comedies. The eternally appealing Doris Day is many things. Even gothic songstress Diamanda Galas is a fan. 

But why wouldn’t she be? Day even worked her way, passionately, through a trio of thrillers. The highlight of these might be her collaboration with Alfred Hitchcock, The Man Who Knew Too Much. But in Julie, where Day portrayed a stewardess stalked by her murder happy second husband, a smoothly handsome and totally dangerous Louis Jourdan, she paid full balance to her multiple charms.Mord in den Wolken

Not only does her heroine here save a plane full of passengers by the movie’s end, foreshadowing Karen Black in Airport 75 by decades, but she also sings the film’s lovely theme song. It’s a pretty thing with hints of the turmoil that Julie is about to experience lingering lightly in the song’s lyrics. Day, of course, nails all the moods of the piece with the subtle and true touch of a master at work.

 Of course, Day, who now spends much of her time in the pursuit of care and justice for animals, is always, quietly and happily, reachable at www.dorisday.com.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

Anne Baxter: Ritual of Fabulousness!

Published March 20, 2014 by biggayhorrorfan

anne hot
In grade school, two (supposedly) darling twin sisters used to regularly manipulate me out of my place in the lunch line. Too bad I didn’t have the divine Anne Baxter (1923-1985), who smartly outmaneuvered diva-licious Bette Davis in the 1950 classic All About Eve, around to give me some (nail sharp) pointers.

anne guest in the houseBaxter, who won an 1946 Oscar for her performance in The Razor’s Edge, had plenty of practice in devilishness, though. Six years before Eve in the deliciously outrageous Guest in the House, Baxter worked her poisonous magic as the sinister Evelyn Heath. Determined to win over the artistic Douglas Proctor (Ralph Bellamy), Baxter/Heath rids herself of her rivals with glorious stealth. A wise maternal character ends this prime villainess’ run of good luck, though. In a move of operatic goofiness, Baxter’s character goes over a cliff due to her character’s major downfall, a supreme fright of pet birds!anne ritual

In 1970 television flick Ritual of Evil, Baxter shows her universality. Here, she shades her character Jolene Wiley with fine layers of sensitive hopelessness. A faded Hollywood icon, Wiley drowns herself in drink and the wrongheaded notion that a Satanic cult might restore her former glory. With a voice crackling with whiskey undertones, Baxter reigns with sexy glamour and emotional empathy. While Louis Jourdan’s erudite psychiatrist uncovers the mystery behind the coven and, ultimately, saves the day here – it is Baxter’s eternal smokiness that steals the show.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan

http://www.facebook.com/biggayhorrorfan