LGBTQ

All posts tagged LGBTQ

The Queer Power of Alien: Covenant

Published May 29, 2017 by biggayhorrorfan

alien-covenant

The slithering, orifice bursting monster babies of Alien: Covenant definitely rate high on my gore pleasure meter. But I will be viewing Ridley Scott’s second prequel to (his original masterpiece) Alien in the theater again for another reason: its strong queer pedigree.

Scripted by the openly gay John Logan, Covenant also features Empire’s sexually fluid Jussie Smollett as a decidedly straight crew member and two married male characters among its many hardy and adventurous potential victims.

Granted, it would be nice if the relationship between Demián Bichir’s Sergeant Lope and Nathaniel Dean’s Sergeant Hallett was more fully explored. Their true feelings for each other only surface during an intense crisis and, stylistically, their relationship feels dictated more by contemporary ease than as being a true part of the Alien universe. No LGBTQ relationships were presented in the original films and as this is a precursor to those stories, it makes it odd that the other films don’t have queer partnerships, the strong Sapphic following of Sigourney Weaver’s Ripley, this classic series’ toned and powerful heroine, aside.  

jussie alien

Still, the success of this relationship with viewers might make strides in compelling Hollywood executives to feature more homosexual bad asses in their action and terror outings and assure that they will continue to cast actors like Smolett, who have admitted their physical attraction to other men, a chance to play more than fey best friends and harried wedding planners.

Naturally, I am willing to concede that this is nothing more than wispy, celluloid pipe dream. But I am going to apply my hard earned dollars, another time or two, in the generous hope that it is not.

I hope you will join me!

…and until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan

 

Review: Deviance

Published March 31, 2017 by biggayhorrorfan

Deviance-poster

Deviance is probably not the gay themed horror film that the community wants right now. With our liberties in danger and the powers-that-be convinced that we are less than deserving of normal rights, a movie about a queer hustler and a possible homosexual serial killer is probably not the shining beacon of positivity that activists are looking for. Even in ordinary circumstances, writer-director James Hennigan’s dark look at perverted lust and unsavory life choices may have earned a raised glance or two. But art is not supposed to be politically correct or follow conscionable trends. Thus, this is an often brave and revealing piece of celluloid.

High school student Connor (Hennigan) is living with his drunk, abusive father (Greg Thompson) and his concerned sister (Tracey Allyn). When he is caught kissing another boy, he is thrown out of the house and takes to the streets. Meanwhile, the shy, sheltered Milton (Tim Torre) is under the sway of his extremely religious mother (Melissa B. Robinson). His obsession with a handsome jock soon takes a twisted turn, though, and, as a result, his family life is completely blown apart. Years later, Milton is still struggling with his violent impulses while Connor’s continued reliance on prostitution to make ends meet collides with a moment of murderous rage, as well. The two outsiders are eventually drawn together and, as the movie races to a close, only one may make it out alive.

Deviance-mainFilled with strong performances and a look at homosexual sensuality that owes much to the grisly novels of alternative queer icon Dennis Cooper, Deviance also deals honestly with how bad parenting and the extreme tenets of hypocritical faith can destroy the souls of the young, no matter their orientation. Hennigan, Thompson, Allyn and Robinson shine in their various scenes, committing fully to their roles, whether sympathetic or not. But this is Torre’s show. He physically embodies all the awkwardness of Milton’s desires with a concise neediness and skilled precision. It’s a powerful, multi-leveled performance.

Hennigan, meanwhile, directs with a taut understanding of his two troubled protagonists. In a minor misstep, has take on the surprise ending is more in keeping with the slasher motif and seems at odds with the film’s layered and dramatic tension. But, if it means more films with Torre as Milton, then it is a forgivable offense. It is about time that we have a gay monster to march up the body strewn paths previously occupied by Michael, Freddy and Jason and this character just may be the one to do it.

Deviance is available for viewing on Amazon:

https://www.amazon.com/Deviance-Tim-Torre/dp/B06WP55DN5

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan

Spotlight: Christina Koenig, Filmmaker

Published February 16, 2017 by biggayhorrorfan

christina

As an indie filmmaker you’ve got to be inventive. As evidenced by You’re Not Here Now, her starkly effective horror short, transgender writer/director/actress Christina Koenig is truly running high on inspiration. Simple yet haunting, this piece features a nice representation of solitary terror and a truly formidable sense of (increasingly desperate) time and space, as well. Visually, the colors’ pop, and fans of The Twilight Zone, especially the more apocalyptic episodes, should find much to enjoy here, as well.

Koenig is, currently, working on her follow-up production, Deviance. More information on that (sure to be interesting) project is available at: https://www.facebook.com/DevianceOfficiaHorrorMovieMN/.

deviance

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!                                                    

www.facebook.com/biggayhorrorfan

Review: Blessed Are the Children

Published February 2, 2017 by biggayhorrorfan

blessed-are-posterWillow, the adorable toddler in the apartment across from me, always seems to be in front of my door when I’m making a quick exit for work or the grocery store. She, breathlessly, will tell me about her adventures at her babysitter’s house or how her cat, always misbehaving, has stepped on her feet again. I’ll cluck, encouragingly or sympathetically (whatever the case may call for), and hurry on my way. If that is stalking, I’ll take it.

Traci, a woman breaking away from a violent relationship, in director-writer Chris Moore’s emotional Blessed Are the Children, though, finds herself, unfortunately, fixated upon by some violent, mask wearing strangers after her visit to a women’s clinic. These mysterious villains are soon obliterating the men in her life and are also putting Traci and her roommates, Mandy and Erin, in harm’s way, as well. Could these figures be tied in with Traci’s disapproving mother or is there something much more malevolent at work here?

Whatever the answers, Moore is to be highly commended for taking a series of social issues and placing them, firmly, in the context of the traditional slasher film. He delves into all the reasons that Traci (a finely modulated Kaley Ball) decides an abortion is the right decision for her and, with the effervescent help of actress Keni Bounds, he creates one of the strongest lesbian characters to ever benefit a genre film with Mandy. Fun, mothering and complex, she is the standout personality here.blessed-are-mandy

Granted, it’s a fine line to walk in a film wallowing in violence and retribution. There is always the chance that certain viewers will assume that Moore is suggesting that Traci and Mandy deserve any bad tidings that come their way. But by the film’s end, one almost imagines that it is this duo, along with Arian Thigpen’s delightfully awkward Erin, that are the real “children” being referred to in the movie’s title, so lovingly are their quirks, foibles and devotion for each other explored. 

Nicely, Moore also provides the expected bloodshed and several twists are sure to give audience members’ a nice sense of surprise, as well. One almost wishes the final act of the film was a bit tighter, but the penultimate moments of the movie are chillingly and haunting rendered, making this project, as a whole, an extremely memorable one. Most importantly, this fadeout also provides a prescient and poetic mediation on the current state of the world, one where hate and bigotry seem relentless and never-ending and we are all innocents in danger of losing not only are freedoms, but our very lives, as well.

https://www.facebook.com/childrenareblessed/

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan

Review: The Cheerleader Trials

Published January 20, 2017 by biggayhorrorfan

cheerleader-1

When the Golden Age meets the Modern Age things can get a bit bloody. Writer-director Zach Lorkiewicz knows this well and proves it with his fun and inventive new short The Cheerleader Trials.

Taking place backstage during a production of a school play, actress Greta (Garbo) is confronted by her fellow cast mates, who just happen to include Judy Garland, Anne Baxter and Marilyn Monroe. It seems someone has been murdered on stage and Greta’s costars are determined to be judge, jury and executioner…especially if it means knocking off any competition for the spotlight. cheerleader-2

Nicely, Lorkiewicz is able to create an environment that seems both to encompass the bleak emptiness of those off limits areas of professional theaters and a vast and dreamy never-world, as well. Anyone who spends their rainy afternoons luxuriating in the clipped and precise rhythms of the black and white worlds of Joan Crawford and Bette Davis should find much to enjoy here, too.

But The Cheerleader Trials also feels ultra-contemporary due to its violent atmospherics. We live in an age when retaliation is just a keyboard stroke away and our leaders seem to encourage vigilante justice. Therefore, Marilyn and crew have never felt so (bleakly) new.

Lorkiewicz will debuting The Cheerleader Trials, online, for a week, beginning on January 22nd, 2017 at

https://www.youtube.com/c/counttheclock

More information is also available on the event page listed, below:

https://www.facebook.com/events/1029321563834173/

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan

Music to Make Horror Movies By: Lisa Hartman

Published January 9, 2017 by biggayhorrorfan

lisa-hartman

She should have been cowering from that electricity enhanced alien in Not of this World (1991), but instead the exquisite Lisa Hartman decided she would rather be Hiding From Love as witnessed by her 1982 album Letterock, a recording that was even rereleased as a self titled offering, later in the decade, due to her popularity on the nighttime soap opera Knots Landing. MBDDEBL EC003

Hartman, who also provided a killer surprise in Wes Craven’s Deadly Blessing (1981), even performed that popular Bryan Adams tune on an episode of Solid Gold.

Unfortunately, Letterock (and its subsequent reiteration) never really took off with the public. Interestingly, it is one of the perkiest female rock records of that era with some fun new wave and pop numbers and a running time that passes by brightly. It also qualifies as very ahead of its time. The song Johnny’s Always On My Mind details the female narrator’s attempts to steal a man away from his boyfriend –   a bold concept even in today’s music world, let alone in the period of time when it was actually released.

So, bravo, Goddess Hartman….

….and until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan

 

Music to Make Horror Movies By: Amanda Lear

Published December 5, 2016 by biggayhorrorfan

amanda2

A mysterious background and an exotic appeal have been the mainstays of the eclectic Amanda Lear’s career. She is also one of the few female artists to produce a concept album that rivals such fare as Alice Cooper’s From the Inside and the self-titled debut album from A Flock of Seagulls.

Lear’s second album, Sweet Revenge, detailed the adventures of a beauty who sells her soul to the devil for glitter and gold, but who eventually sacrifices all she has gained for love.

Done disco-style, the recording’s hit single, Follow Me, has become Lear’s signature number and details how the lord of darkness tempts the heroine of the piece into a life of sophisticated debauchery.

Still recording and performing, Lear can be followed at https://www.facebook.com/reinelear and www.amandalear.com.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan