Indie Film

All posts tagged Indie Film

The Small Woman in Grey

Published August 12, 2017 by biggayhorrorfan

The Small Woman in Grey.jpg

Quietly calculating, viciously over-the-top or timidly heroic, I love my women of horror. Therefore, the upcoming British production The Small Woman in Grey sounds truly appealing to me.

Written and directed by Andrew Eltham-Beyers, this soon to be released picture also utilized the talents of Sleepaway Camp’s Felissa Rose, behind the scenes, and legendary scream queen Brinke Stevens, in front of the camera.

Sounds like it can’t lose, right?

So, be sure to check out the official trailer:

Then sign up to get the latest scoops on the project, which prominently places two queer characters in the action, at https://www.facebook.com/Thesmallwomaningrey/, as well.

Brinke small woman

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Help The Ball!

Published July 21, 2017 by biggayhorrorfan

The Ball

Courtney Love meets Vincent Price? Count me in!

Indeed, The Ball, the upcoming project from the truly colorful and always inventive Count the Clock Productions, promises an aesthetic meeting of these two very creative, yet seeming dissimilar minds (among others). Renowned for such shorts as Pep, I Love Lucy and The Cheerleader Trials, this also promises to be CTCP’s most ambitious project to date.

Thus, if you have a pretty penny or two jangling around in those ragged cut-offs, be sure to throw them some help at https://www.indiegogo.com/projects/the-ball-horror#/. There, you can also explore the majestic originality of some of their previous work, as well.

Now, with my Good Samaritan cap firmly askew… I wish you SWEET love and pink GRUE, and a wonderful weekend!

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Review: Necroplasmosis

Published June 17, 2017 by biggayhorrorfan

necroplasmosis

In the early ‘90s, long before the days of instant internet accessibility, those who loved their ladies of horror had two places to go: the glossy, more mainstream Femme Fatales magazine and the grittier, homegrown Draculina. Harkening back to that underground Draculina vibe, writer-director-performer Henry Frias Leon and co-writer-lead actress Courtney Perkins create something very visceral with Necroplasmosis, their latest short film.

Perkins plays Lucinda, a photographer with slightly macabre subject matter, and Leon is the obsessed filmmaker who is following her around. Strong and resourceful, Lucinda ultimately finds the most cutting way to deal with an errant beau here. Nicely, unlike the days when Hugh Gallagher seemed to control everything that came out of Draculina, Perkins and Leon seem to be equal partners in Necroplasmosis. Thus, the world they create seems free of exploitation and centered around mutual interest.

Here’s hoping, though, that future installments will show Lucinda taking out her skills of vengeance upon all those right wing bigots and power figures that are still threatening to keep women from their equal rights.

Until then, be sure to check out this initial DIY work at:

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Review: Deviance

Published March 31, 2017 by biggayhorrorfan

Deviance-poster

Deviance is probably not the gay themed horror film that the community wants right now. With our liberties in danger and the powers-that-be convinced that we are less than deserving of normal rights, a movie about a queer hustler and a possible homosexual serial killer is probably not the shining beacon of positivity that activists are looking for. Even in ordinary circumstances, writer-director James Hennigan’s dark look at perverted lust and unsavory life choices may have earned a raised glance or two. But art is not supposed to be politically correct or follow conscionable trends. Thus, this is an often brave and revealing piece of celluloid.

High school student Connor (Hennigan) is living with his drunk, abusive father (Greg Thompson) and his concerned sister (Tracey Allyn). When he is caught kissing another boy, he is thrown out of the house and takes to the streets. Meanwhile, the shy, sheltered Milton (Tim Torre) is under the sway of his extremely religious mother (Melissa B. Robinson). His obsession with a handsome jock soon takes a twisted turn, though, and, as a result, his family life is completely blown apart. Years later, Milton is still struggling with his violent impulses while Connor’s continued reliance on prostitution to make ends meet collides with a moment of murderous rage, as well. The two outsiders are eventually drawn together and, as the movie races to a close, only one may make it out alive.

Deviance-mainFilled with strong performances and a look at homosexual sensuality that owes much to the grisly novels of alternative queer icon Dennis Cooper, Deviance also deals honestly with how bad parenting and the extreme tenets of hypocritical faith can destroy the souls of the young, no matter their orientation. Hennigan, Thompson, Allyn and Robinson shine in their various scenes, committing fully to their roles, whether sympathetic or not. But this is Torre’s show. He physically embodies all the awkwardness of Milton’s desires with a concise neediness and skilled precision. It’s a powerful, multi-leveled performance.

Hennigan, meanwhile, directs with a taut understanding of his two troubled protagonists. In a minor misstep, has take on the surprise ending is more in keeping with the slasher motif and seems at odds with the film’s layered and dramatic tension. But, if it means more films with Torre as Milton, then it is a forgivable offense. It is about time that we have a gay monster to march up the body strewn paths previously occupied by Michael, Freddy and Jason and this character just may be the one to do it.

Deviance is available for viewing on Amazon:

https://www.amazon.com/Deviance-Tim-Torre/dp/B06WP55DN5

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Review: Housesitters

Published February 10, 2017 by biggayhorrorfan

house

I’m a little jealous. In my stints as a house and dog sitter I found some weird things – homemade porn, leopard print sheets scented with perfume. I even got shown around one apartment by an owner who made no effort to hide his early morning boner. But, I never sat at a place with a creepy pentagram strewn basement and its own personal demon!

Best friends and eternal wisecrackers Angie (Annie Watkins) and Izzy (Jamie Jirak) hit the jackpot in director-writer Jason Coffman’s truly fun horror-comedy Housesitters, though.  Left a credit card and enough 80s/90s fashions in one closet for an effective musical montage, all they need is a couple of hot, trouble making  dudes to make their first house sitting adventure a total success. That’s where Greg (James Timothy Peters), a pizza delivery guy, and Zach (Peter Ash), Izzy’s boyfriend, come in.  Zach, in a nonverbal apology for eating all of Angie’s brownies, also brings along her current crush, Mark (Ben Schlotfelt).

But soon Greg and Mark are attacked by a miniature green creature and disappear. The appearance of Zach’s friend Dan (Jay J. Bidwell) singles more mayhem. Unable to leave the house due to their benefactor’s devilish dealings, the group venture to the basement to try to resolve their problems. The wounded Dan, though, emerges as something a bit more demonic and life between the bosom companions will never be the same again.

Smartly utilizing one location, haunted by Dustin Wayde Mills’ ravenously adorable monster-puppet, Coffman wisely builds the relationships between his main characters here. In fact, Watkins and Jirak are so natural and spontaneously goofy that they become the highlight of this tight yet carefree production. As the closing credits roll, it is obvious that they were allowed to riff on and improvise a large part of their material, making “Broad City Meets Monster Movie” a hoped for trend in the near future.

The duo’s male co-stars, Ash, Schlotfelt, Peters and Bidwell, also key into their low-key, naturalistic vibe. They all deliver believable and slightly ironic performances, surely a product of their seeming theatrical groundedness. Their skill, coupled with the surprising twists that Coffman provides for their characters in the film’s final moments, ultimately make Housesitters a truly entertaining celluloid outing. That it is also one filled with femme powered horror amusements is probably its greatest strength and joy. Let’s hope this really is a trend!

Note: This review was done on a work-in-progress version of the movie as it gears up for festival submissions. To be sure to join Angie and Izzy as they party their way to different events, follow https://www.facebook.com/HousesittersMovie/.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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Review: The Cheerleader Trials

Published January 20, 2017 by biggayhorrorfan

cheerleader-1

When the Golden Age meets the Modern Age things can get a bit bloody. Writer-director Zach Lorkiewicz knows this well and proves it with his fun and inventive new short The Cheerleader Trials.

Taking place backstage during a production of a school play, actress Greta (Garbo) is confronted by her fellow cast mates, who just happen to include Judy Garland, Anne Baxter and Marilyn Monroe. It seems someone has been murdered on stage and Greta’s costars are determined to be judge, jury and executioner…especially if it means knocking off any competition for the spotlight. cheerleader-2

Nicely, Lorkiewicz is able to create an environment that seems both to encompass the bleak emptiness of those off limits areas of professional theaters and a vast and dreamy never-world, as well. Anyone who spends their rainy afternoons luxuriating in the clipped and precise rhythms of the black and white worlds of Joan Crawford and Bette Davis should find much to enjoy here, too.

But The Cheerleader Trials also feels ultra-contemporary due to its violent atmospherics. We live in an age when retaliation is just a keyboard stroke away and our leaders seem to encourage vigilante justice. Therefore, Marilyn and crew have never felt so (bleakly) new.

Lorkiewicz will debuting The Cheerleader Trials, online, for a week, beginning on January 22nd, 2017 at

https://www.youtube.com/c/counttheclock

More information is also available on the event page listed, below:

https://www.facebook.com/events/1029321563834173/

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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Review: Party Night

Published December 29, 2016 by biggayhorrorfan

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From torrential rainfall to broken hearts to pyrotechnic teens, prom nights have always had the potential for disaster. Unfortunately for them (and lucky for us), the soon to be graduating friends in writer-director Troy Escamilla’s fun throwback Party Night find that this particular rite of passage can be very deadly, as well.

Here, sensitive Amy and crew head to her boyfriend’s uncle’s remote house for an intimate celebration after their prom. Of course, girls have been disappearing at an alarming rate, nearby, and the six young adults soon find that they have landed right in the killer’s lair. Amid drunken relationship trauma and the angry rhythms of growing pains, members of the group are soon separated from each other and meet their fates at a stealthy killer’s savage hands…and his various knives and assorted kitchen pottery, as well. Soon the ever reliable final girl is fighting for her life as gallons of red stuff spews and lives are irreparably damaged forever.

With loving reverence, Escamilla plays with the familiar tropes of these films…an important event, a secluded location and lots of bloodshed. We get the expected characters, as well, with the intelligent, slightly awkward heroine, her sensitive boyfriend and a variety of sexually adventurous and hard partying companions. But as a writer, Escamilla adds nice shades of angst and normalcy to his stock personas, giving all of the major characters a nice sense of depth.

The actors also accomplish much in making this an effective exercise. Nicely, they are a diverse lot, culturally, and despite a bit of awkwardness here and there, they deliver solid performances. Laurel Toupal is, perhaps, the most natural and endearing as Amy, with her final moments ringing with true emotion. Tommie Vegas, meanwhile, brings a nice sense of effective sass to Molly while Ryan Poole and Drew Shotwell each perform with a natural grace and a definite color of urgency when the stakes of their characters’ lives are thrown into savage turmoil. Nicely, as an antidote to the expected female nudity, it is Poole who spends the final third of the film shirtless while Toupal’s Amy fights for her life in a formal gown.

The film’s true highlights, though, just may be Mark D’Errico’s gloomy and prescient score and Heather Benson’s special effects work. Benson’s wounds are simple yet effective, but she definitely luxuriates in the red stuff, making Party Night one of the bloodiest slasher films ever made, a fine achievement for a film made from a very obvious love for the genre, but very little cash.

https://www.facebook.com/partynightmovie

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan

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