election week

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Review: Fort Doom

Published November 16, 2018 by biggayhorrorfan

 

debbie fort doomPost-election week there may, surprisingly, not be a more appropriate horror film to watch than 2004’s Fort Doom. A low budget, seemingly home grown effort, this feature stars the always compelling Debbie Rochon and the eternally gothic Billy Drago, who gives a very disturbing, leveled performance as one of the production’s not so red herring villains here.

The film itself follows the Southern adventures of Lacy Everett (Rochon) and her group of working girls as they set up shop in a seemingly idyllic community. The Civil War has been recently fought and lost, and while there is emotional fallout to be found everywhere, hope abounds, as well. That is until Everett and her ladies discover that a serial killer is loose in their new tightly locked home base. As folks begin to disappear and it looks like all evidence points to the demented town mortician (Drago), it soon appears that a deeper, more deadly conspiracy at hand.

As with many indie terror efforts, there are many passages of stationary dialoging here. One also almost wishes that the producers had picked a different period of time to recreate due to the college theater costuming alone. While some of Rochon’s outfits have a bit of a stream punk effect, more than anything it is obvious that the budget did not allow for a real life recreation of the clothes that the characters would have actually worn in this era. Kind viewers will find that this gives the enterprise an enjoyable silliness, though. Others, well…Fort Doom.jpg

Surprisingly, what is not silly here is how accurately screenwriter Matthew Howe, who developed the story with the film’s director J. Christian Ingvordsen, seemingly predicated our current misogynistic and racist government controlled by powerful white men. Willing to do anything to stay in power, the vengeful founding father types in this film ultimately serve as a chilling prophecy and a reminder of how this destructive mindset has always existed in our culture.

That Rochon, who has survived her own share of personal hardships over the years, is our stand-in here, supplying strength and resolve and sassiness, is also a plus and an assurance that perhaps, like her Lacy, we will truly rise above this current regime, as well.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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