Broadway

All posts tagged Broadway

Music to Make Horror Movies By: Helen Morgan and Lillian Roth

Published October 8, 2019 by biggayhorrorfan

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Helen Morgan’s lovely take on Can’t Help Lovin’ Dat Man from Show Boat is used to grand effect in Alfred Sole’s unusually powerful horror effort Alice, Sweet Alice. Introducing the pivotal presence of Mr. Alphonso, a creepy landlord who antagonistically preys upon the title character, Sole uses this number in the background to illustrate the strange emotional landscape of this sometimes pitiful, always unsavory character.

Morgan (above left), who died of alcoholism at an early age, had two biographies filmed of her life and troubled times. In an interesting coincidence, Sole cast Lillian Roth (above right), a singer and actress in the tradition of Morgan, in a small but pivotal role of a pathologist in the film. In reality, Roth’s path echoed Morgan’s on many levels, adding a nice layer of show business coincidence to this well loved film, which was recently given the deluxe Blu-ray treatment from Arrow Video. As with Morgan, Roth’s life was given a cinematic appraisal by Susan Hayward, who was nominated for an Oscar for her work, in I’ll Cry Tomorrow.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Bruce Davison

Published October 21, 2018 by biggayhorrorfan

 

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Beloved by the queer community for his Oscar nominated work in Longtime Companion, an acclaimed look at the effects of the AIDS crisis, the eclectic Bruce Davison has also worked with a number of classic film’s acclaimed divas.

Bruce-Davison-Mame-1974In the skittering horror of Willard, Davison shared significant screen time with Elsa Lanchester, the Frankenstein Monster’s favored bride. A few years later, he played the nephew of comedic genius Lucille Ball in the celluloid version of the musical Mame. In that project, he added the role of vocalist to the many notches on his creative belt.

Nicely, Davison is still providing layered and passionate support to many of gothic filmdom’s talented divas. His recent work opposite Lin Shaye in Insidious: The Last Key provided both performers with the chance to connect with subtle yet deep emotion. He also provided a glow of kind energy against the more nefarious outpourings of such genre pros as Meg Foster and Dee Wallace in Rob Zombie’s very personal Lords of Salem.

Bruce and me

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Elaine Paige

Published July 22, 2018 by biggayhorrorfan

 

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Some people may appreciate 1978’s The Boys from Brazil for its mad scientist Frankenstein-ian themes. Those who feel revulsion for the Three Men and a Baby films may enjoy this dark conspiratorial yarn for its swift deposal of Steve Guttenberg’s nosy do-gooder in the opening sequence. Musical theater buffs meanwhile might dive into this horror hybrid because one of its main themes, We’re Home Again, was sung by Elaine Paige, one of the multi-talented, undisputed queens of the ever glittering boards.

Paige has won countless awards for her work on shows like Evita, Cats and Anything Goes. Along with Barbara Dickson, she also introduced the pop world to I Know Him So Well, a powerhouse duet from Chess, co-written by Tim Rice and Abba’s Benny Andersson & Bjorn Ulvaeus.

Paige, who recently celebrated her 50th anniversary in show business, is forever bringing good protein to the entertainment smorgasbord at www.elainepaige.com and https://www.facebook.com/elainepaigeofficial/. 

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Music to Make Horror Movies By: Betty Buckley

Published May 27, 2018 by biggayhorrorfan

Betty Carrie

She’s one of Broadway’s reigning divas. Fans of Carrie and Split also claim her as their own. But there are probably few as singular and solitary minded as the exquisitely talented Betty Buckley.

Interestingly (and in a twist of fate as unusual as herself), Buckley who played the kindly Miss Collins in Brian DePalma’s classic adaptation of Stephen King’s novel also played Carrie’s deluded mother Margaret in the widely panned, short lived Broadway adaptation of this beloved horror shocker.

Recent reexamination has given this work a renewed appreciation. But, as evidenced in the video below, Buckley always seemed to know the piece’s worth. Her performance here is deliberate, delicate and captivating.

Buckley, meanwhile, who is releasing a new recording called Hope in June, is always bringing heart and soul to www.facebook.com/BettyBuckley/ and www.bettybuckley.com.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Shirley MacClaine

Published March 25, 2018 by biggayhorrorfan

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In 1972’s The Possession of Joel Delaney, eclectic hoofer Shirley MacLaine encountered a demonic presence that forever altered the life of Norah, the steadfast mother and sister that the actress gave passionate life to.

Thankfully, as a veteran of such musical comedies as Irma La Douce and Sweet Charity, MacLaine seems to be imbued with something much less sinister in reality…the Gypsy in Her Soul!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Lainie Kazan

Published January 21, 2018 by biggayhorrorfan

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More than blood and gore, horror films survive on their sense of dramatic stakes. Similarly, theater diva Lainie Kazan, who has graced a number of horror themed projects, has as much drama in her voice as the best of them.

 

First coming to prominence as Barbra Striesand’s understudy in the original Broadway run of Funny Girl, Kazan may be better known as a comedienne in projects such as My Big Fat Greek Wedding and Lust in the Dust. But she’s added sass and vibrancy to Out of the Dark, a late ‘80s slasher featuring a golden cast of stand-bys including Karen Black, Tab Hunter and Geoffrey Lewis, and an episode of Tales From the Crypt that featured other notables such as Bill Paxton and Brad Dourif…who did away with her overbearing office manager character in a very gruesome manner.

Lainie

www.lainiekazan.com

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Music to Make Horror Movies By: Julie Wilson

Published December 3, 2017 by biggayhorrorfan

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Elegant yet slightly naughty, the legendary Julie Wilson enlivened Broadway stages, nightclubs and some minor Golden Age of Hollywood productions with her always divine, truly eclectic talents. Her electric presence was, perhaps, best met with one of her signature numbers, the fun and bawdy I’m a Bad Woman.

While, naturally, adored in the refined climes of the cabaret scene, Wilson also gave a little something to the Frankenstein Kids with her appearance on the A Face for Radio episode of Monsters…proving she was not only an eternal beauty, but a truly generous soul, as well!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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