All posts tagged Broadway

Music to Make Horror Movies By: Betty Buckley

Published May 27, 2018 by biggayhorrorfan

Betty Carrie

She’s one of Broadway’s reigning divas. Fans of Carrie and Split also claim her as their own. But there are probably few as singular and solitary minded as the exquisitely talented Betty Buckley.

Interestingly (and in a twist of fate as unusual as herself), Buckley who played the kindly Miss Collins in Brian DePalma’s classic adaptation of Stephen King’s novel also played Carrie’s deluded mother Margaret in the widely panned, short lived Broadway adaptation of this beloved horror shocker.

Recent reexamination has given this work a renewed appreciation. But, as evidenced in the video below, Buckley always seemed to know the piece’s worth. Her performance here is deliberate, delicate and captivating.

Buckley, meanwhile, who is releasing a new recording called Hope in June, is always bringing heart and soul to and

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!


Music to Make Horror Movies By: Shirley MacClaine

Published March 25, 2018 by biggayhorrorfan

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In 1972’s The Possession of Joel Delaney, eclectic hoofer Shirley MacLaine encountered a demonic presence that forever altered the life of Norah, the steadfast mother and sister that the actress gave passionate life to.

Thankfully, as a veteran of such musical comedies as Irma La Douce and Sweet Charity, MacLaine seems to be imbued with something much less sinister in reality…the Gypsy in Her Soul!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!


Music to Make Horror Movies By: Lainie Kazan

Published January 21, 2018 by biggayhorrorfan

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More than blood and gore, horror films survive on their sense of dramatic stakes. Similarly, theater diva Lainie Kazan, who has graced a number of horror themed projects, has as much drama in her voice as the best of them.


First coming to prominence as Barbra Striesand’s understudy in the original Broadway run of Funny Girl, Kazan may be better known as a comedienne in projects such as My Big Fat Greek Wedding and Lust in the Dust. But she’s added sass and vibrancy to Out of the Dark, a late ‘80s slasher featuring a golden cast of stand-bys including Karen Black, Tab Hunter and Geoffrey Lewis, and an episode of Tales From the Crypt that featured other notables such as Bill Paxton and Brad Dourif…who did away with her overbearing office manager character in a very gruesome manner.


Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

Music to Make Horror Movies By: Julie Wilson

Published December 3, 2017 by biggayhorrorfan


Elegant yet slightly naughty, the legendary Julie Wilson enlivened Broadway stages, nightclubs and some minor Golden Age of Hollywood productions with her always divine, truly eclectic talents. Her electric presence was, perhaps, best met with one of her signature numbers, the fun and bawdy I’m a Bad Woman.

While, naturally, adored in the refined climes of the cabaret scene, Wilson also gave a little something to the Frankenstein Kids with her appearance on the A Face for Radio episode of Monsters…proving she was not only an eternal beauty, but a truly generous soul, as well!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

Music to Make Horror Movies By: Lee Remick

Published May 21, 2017 by biggayhorrorfan

lee remick the omen

Richard Burton threatened her with The Medusa Touch and little Damian broke her body (and her heart) in The Omen. But the scrumptious Lee Remick did have some heroes in her life, as well.

Surprisingly, famed composer-lyricist Stephen Sondheim was one of them. Remick appeared in the original Broadway production of Sondheim’s well regarded (yet short lived) Anyone Can Whistle and she also glammed it up in an all star production of his Follies in the ‘80s.

Here, with direct forcefulness, she takes on the bad guys in her own way with There Won’t Be Trumpets, one of her best remembered numbers from Whistle.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

lee remick glamour










Music to Make Horror Movies By: James Coco

Published April 9, 2017 by biggayhorrorfan

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Best known for character roles with a decidedly comic intent, the sorely missed James Coco (1930 – 1987) also added some much needed presence to horror films like The Chair and The Stepford Children.

Impressively, he provided his own vocals for the 1972 film version of The Man of La Mancha, as well. His vigor and exquisite comic timing add much to the humor of this take on the show’s well regarded Golden Helmet of Mambrino.

Gone too soon, Coco’s presence here (and elsewhere) proves he definitely will never be forgotten.


Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

Adrienne Barbeau in Pippin

Published July 31, 2015 by biggayhorrorfan

Life as a circus act can have various connotations – for the better or worse.

Lately, though, no one is celebrating the joys of an unconventional existence better than the glorious Adrienne Barbeau. Barbeau, known to upscale terror connoisseurs as the eclectic face of such horror efforts as The Fog, Creepshow, Swamp Thing, Two Evil Eyes and so many others, is currently touring the country in the colorfully effective revival tour of Pippin.

The Tony Award winning show follows the adventures of Pippin, a recently graduated scholar, who longs to have a life of importance and meaning. Seemingly performed by a Middle Ages style burlesque troupe, this traveling production features a bevy of professional circus performers in its cast, who all add breathtaking flair to the proceedings and who help make Barbeau’s main musical number a truly memorable one.

After his first disheartening attempt at transcendence, via his participation as a soldier in one of his king father’s wars, Pippin (a sweetly bumbling Sam Lips) goes to visit his grandmother, Berthe (Barbeau), for encouragement. As played by Barbeau, Berthe is saucy, but tender and she, fully and lovingly, connects with Lips’ bedraggled wanderer. With vibrant voice, Barbeau, also, brings playful and subtle force to Berthe’s creed and grand advice to Pippin, No Time at All.

Skillfully engaging with the audience throughout the song, which encourages everyone to live as though there were no tomorrow (because, indeed, there may be no tomorrow), Barbeau eventually truly amazes with some daring, high wire feats.

Ascending on a swing, center stage, Berthe/Barbeau flips around and under the floating apparatus with the aid of a flexible, bare chested fellow performer. It is simply a wonder to behold and proof positive that anything is possible if one puts a mind to it.

Most importantly, though, Barbeau, who began her career on Broadway in Fiddler on the Roof and the original production of Grease, seems to be having an amazing time reconnecting with her roots. Pippin, which radiates with a darkly magical flair, also, seems to be a return of sorts to her work as Ruthie in Carnivale, one of her favored roles. These circumstances add up to make her the delicious heart of the production.

The Pippin touring schedule is available at

Barbeau, meanwhile, is reachable at and

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!