70s

All posts tagged 70s

Retro Shark Bait Village: Five Desperate Women

Published March 16, 2017 by biggayhorrorfan

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Our childhood vacations consisted of being captured, destination bound, as our parents’ arguments descended into sharp silence…and of my frustrated father stopping, unabated during the night, at points we were warned to avoid. Therefore, my siblings and I met various nervous fingered drug addicts and opposite gendered strangers sitting in the sinks of McDonalds restaurants on our morning adventures. But…we were relatively unharmed.

The saucy quintet that ventures onto an isolated island for a reunion-vacation in the Aaron Spelling produced Five Desperate Women (1971) isn’t so lucky, though. A crazed inmate has escaped and is posing as either the awkward company boat captain or the island’s attractive yet mysterious handy man. As the former collegiates reconnect and tell tall tales of career successes and nonexistent families, the island’s loveable mutt is murdered and soon one of the distressed sorority sisters meets a similarly unpleasant fate, as well. The remaining friends must figure out who the killer really is and fight for survival until help arrives.five 4

Riding high on soap opera antics and mild slasher film esthetics, this telefilm is definitely a showcase for the beauty of Stephanie Powers, who portrayed determined heroines in such Hammer outings as Die, Die, My Darling and Crescendo. Here, she is allowed to branch out into unsympathetic territory. Nicely, this former Girl from U.N.C.L.E. brings an arctic reserve to Gloria, an often shallow and petty character. Powers, simply and effectively, delivers Gloria’s disdain for the weaknesses of her companions in haughty sidelong glances and long, cool puffs of cigarette smoke.  The other women are given a bit more background history, but this is Powers’ show and she runs with it.

five 1Gloria’s fellow cohorts, meanwhile, include Lucy (Anjanette Comer), a well-to-do alcoholic, Dorian (Joan Hackett), an insecure animal lover whose fantasies are her ultimate undoing, Mary Grace (Julie Sommars), a tender soul being held emotionally captive by her invalid mother and the intelligent and determined Joy (Denise Nicholas). Unfortunately, in a wildly politically incorrect move, Joy, the sole black woman of the group reveals, in a bizarrely detailed monologue, that she has blown all her educational and career opportunities through some sort of nonchalance and emotional disregard, to settle for the life of a high class prostitute. There is an interesting Tennessee Williams vibe to the exchange and Nicholas fills it with a coat of truthful bitterness and resolve, finding honesty where another may have just filled it with the anger of a minority actress forced to play another lady of the night. Equally strange, yet not as troubling, is an early scene with Mary Grace and her mother. In a weird twist, the mother communicates only through her nurse who determines what she is thinking through glances and then relays their intent to Mary Grace. It’s a strange and unsettling bit that fills this piece with a bit more artiness and presence than your run of the mill made for television affair.

In addition to this potent moment, director Ted Post, whose other credits include Magnum Force, Beneath the Planet of the Apes and the cult classic The Baby (also with Comer), keeps things moving along nicely and even manages to build suspense as to which of the two men is the killing kind. Both could, seemingly, be the one and Bradford Dillman brings a nervy edge to his seafaring sort while Robert Conrad allows cracks to appear beneath the façade of his handsome and reliable jack of all trades. five 2

Post also handles all the dramatics with a seasoned flair. Particularly enjoyable is a series of scenes where the sodden and hysterical Lucy, collapsed in despair, reveals the details of her unhappy day-to-day existence. The understanding that palpitates from her comrades eventually aids in the believability of the Lord of the Flies denouement that finds the surviving women launching out against their attacker in a choreographed frenzy. Moments like these make this flawed yet truly enjoyable adventure a memorable…and violent one. H-m-m-m… I guess my youthful sojourns weren’t so bad, after all.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Leif Garrett

Published November 13, 2016 by biggayhorrorfan

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He spent more time with a staple in his belly, as a teen centerfold pin-up, than your ever average Playboy bunny. More importantly here, Leif Garrett, that prime representative of androgynous, messy blonde boyhood, also graced such horror epics as Devil Times Five, Cheerleader Camp, Party Line and The Whispering, throughout his decade’s long acting career. deviltimesfive

He was also, as so many male idols before and after him, a pop star of questionable yet, temporarily successful, note. Although, his vocals were often more layered than a Patti Page novelty number, his recordings are so fun and indicative of a certain era that they are, perhaps, enjoyable for reasons beyond nostalgia.

Indeed, his biggest hit, I Was Made for Dancing, is propulsively catchy and the video below shows he can wear a pair of black stretch pants like nobody’s business, surprising no one, that he effectively enacted drag scenes, not only as a child in Devil Times Five, but as an adult in Party Line, as well.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Killer Fish/Amii Stewart

Published April 11, 2016 by biggayhorrorfan

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1979’s Killer Fish was part heist flick, part disaster epic and part nature gone wild horror flick. Perhaps fortunately, The Winner Takes it All, the film’s end credit theme song, performed by the glorious Amii Stewart, is all disco, though.

 

 

Stewart, best known for her outrageous costumes (as witnessed above) and a popular (late ’70s) cover of ‘60s hit Knock on Wood, has also released an album featuring composer Ennio Morricone’s best known songs, which should further endear her to Euro exploitation buffs.killer fish

The gloriously bad Killer Fish, meanwhile, was recently released on Blu-Ray by ITV Studios and Scorpion Releasing after years of VHS obscurity.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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Retro Sharkbait Village: Satan’s Triangle

Published April 1, 2016 by biggayhorrorfan

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1975 television terror film Satan’s Triangle proves that not only is the devil a lady…but he is just about anything else he wants to be, as well.

Receiving a distress signal, the Coast Guard sets out to rescue an adrift boat, which just happens to be floating in The Bermuda Triangle. Due to the awful weather, rescuer Haig (Doug McClure) is forced to spend the night on the boat with the vessel’s sole survivor, Eva (Kim Novak), who, as luck would have it, is a stunningly beautiful prostitute.

As Eva describes the mysterious deaths of her fellow passengers, Haig comes up with logical explanations for their demises. A grateful Eva beds him, but when Haig’s associate arrives the next morning to retrieve them, it soon seems that Eva is not quite what she appears to be. ST2

While the film’s double twist endings surely would have warped the minds of any young viewers watching back in the day, director Sutton Roley also supplies some nice, dreamlike visuals here while Novak uses her feline eyes and the huskier growls in her vocal register to create moments of truly odd creepiness, as well.

A solid squad of grizzled character actors, including Jim Davis, Michael Conrad and Ed Lauter, add to the atmosphere nicely and the bizarre concept of Lucifer being responsible for the many disappearances in this fabled area, ultimately, allows Satan’s Triangle to fit right in with the best of those odd 70s television excursions into terror.

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Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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