Film

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Review: Gray Matter

Published December 14, 2018 by biggayhorrorfan

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What signifies a great horror project is its emotional relatability. Therefore, anyone who has been mystified by the behavior of their parents as a child is sure to find true connectivity to Red Clark’s Gray Matter.

Here a small town boy seeks asylum from his home life by approaching a motley group of pub regulars. His alcoholic father (finely played by indie wonder kind Larry Fessenden) has begun acting strangely and the kid has begun to fear for his life. His rescuers get more than they bargained for, though, as their worlds soon dissolve into gooey mayhem.

Based on a Stephen King story, this short film is filled with impressive natural effects. But what is most significant is the atmosphere that Clark creates. He and his believable cast, including Chicago theater actor Aaron Christensen, honestly capture the rhythms of rural life and its grizzled inhabitants. Everyone who grew up, awestruck, in such circumstances will find a piece of their past magnified, wisely, onscreen for them here.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Patsy Kensit

Published December 9, 2018 by biggayhorrorfan

 

Patsy Kensit (20)

The magnetic Patsy Kensit burst upon the global consciousness with her pert maneuverings in Absolute Beginners. Her band Eighth Wonder also made a positive dent in the music charts around the same time.

Kensit, best known for her roles in action films like Lethal Weapon 2, definitely proved her lack of fear by appearing in such genre flicks as The Turn of the Screw, Full Eclipse and Hell’s Gate (AKA Bad Karma). An entrepreneur as well as an actress, Kensit’s website is www.patsykensit.com.

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Trailer: Kicking Zombie Ass For Jesus

Published December 7, 2018 by biggayhorrorfan

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There is probably no better way to celebrate the 50th anniversary of George Romero’s insanely influential Night of the Living Dead than by welcoming a new cinematic twist on the undead oeuvre. With a leading cast of characters highlighted by a powerful trans woman and a take no prisoners lesbian, Israel Luna’s Kicking Zombie Ass For Jesus is surely the most likely entry to fit that bill!

Almost guaranteed to join Luna’s Ticked Off Trannies With Knives and Fright Flick as a must-see venture, you can keep up with all of ZAFJ’s ghoulish antics at https://www.facebook.com/KickingZombieAssForJesus/.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Velvet Underground

Published December 2, 2018 by biggayhorrorfan

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In the ‘60s Lou Reed and crew probably didn’t know that Venus in Furs, from Velvet Underground’s debut album with Nico, would define mystery, dark horror and sexiness for every generation that followed. Case in point, the song was just used in the 7th episode of the Chilling Adventures of Sabrina to highlight a moment of gothic sensuality. sabrina-1

But the band was always of their time and ahead of it, as well. 1971’s Candy Says detailed the experiences of Candy Darling, one of the first transgendered superstars, with a beautiful honesty.

Darling, who appeared in cult classics like 1972’s Silent Night , Bloody Night, has plenty of deserved online appreciation. The Velvet Underground, currently being celebrated with an art show in NYC, are always being celebrated at http://www.velvetundergroundmusic.com/, as well.

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Review: The Rake

Published November 30, 2018 by biggayhorrorfan

 

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Rachel Melvin’s tenure on the soap opera Days of Our Lives is put to good use in the indie horror film The Rake. As much of a monster flick as an exploration of the emotional fallout of damaged childhoods, this horror exercise doesn’t overstay its welcome and emerges as a nice addition to the creature feature genre.

Clocking in under 80 minutes and featuring smart direction from Tony Wash, the primary running time of the film is focused around a weekend get together hosted by Nicole (Melvin) and her husband Andrew (Joey Bicicchi). As past hurts are examined and new hopes emerge, it appears that someone (or something) is hunting the couple and their family and friends. Soon reconciliation and redemption are replaced by grievous bloodshed…and death. The Rake

The script by Wash and Jeremy Silva doesn’t necessarily explain everything. One doesn’t totally grasp what the rake of the title is or gather all the details of how Nicole is connected with the others, but the final 30 minutes of the film is a beyond enjoyable stalk n slash. Melvin and her co-stars also deliver the dramatic goods, a testament to their impressive talents and Wash’s keen ability to work with them.

You can stream The Rake at https://www.amazon.com/Rake-Izabella-Miko/. You can also follow Skeletons in the Closet, another recent Wash project, at https://www.facebook.com/skeletonsintheclosetmovie/.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Hattie McDaniel

Published November 25, 2018 by biggayhorrorfan

 

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After Hattie McDaniel won her Oscar in 1940, it was 24 years before another black performer received the statuette. While criticized for taking on stereotypical roles in her lifetime, McDaniel is now often praised for being a pioneer in the entertainment industry and for her commanding performances under frequently humbling circumstances. Nicely, the fun revue Thank Your Lucky Stars allowed her majestic personality to fill the frame as something other than a domestic and she appears to truly be enjoying herself as the neighborhood gossip in the number below, Ice Cold Katie.

Granted, McDaniel’s connections to the horror genre were small as she was mainly cast in comedies. But she did appear alongside terror icon Bela Lugosi in 1935’s Murder By Television. As the cook Isabella, she provided the studio mandated, over exaggerated comic relief, but she is eventually given a couple of more level headed moments. In one more progressive segment, she even interrupts a murder scene intruder and helps throw him out, proof positive of her power and strength as a performer.

Hattie Murder shots

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Review: Fort Doom

Published November 16, 2018 by biggayhorrorfan

 

debbie fort doomPost-election week there may, surprisingly, not be a more appropriate horror film to watch than 2004’s Fort Doom. A low budget, seemingly home grown effort, this feature stars the always compelling Debbie Rochon and the eternally gothic Billy Drago, who gives a very disturbing, leveled performance as one of the production’s not so red herring villains here.

The film itself follows the Southern adventures of Lacy Everett (Rochon) and her group of working girls as they set up shop in a seemingly idyllic community. The Civil War has been recently fought and lost, and while there is emotional fallout to be found everywhere, hope abounds, as well. That is until Everett and her ladies discover that a serial killer is loose in their new tightly locked home base. As folks begin to disappear and it looks like all evidence points to the demented town mortician (Drago), it soon appears that a deeper, more deadly conspiracy at hand.

As with many indie terror efforts, there are many passages of stationary dialoging here. One also almost wishes that the producers had picked a different period of time to recreate due to the college theater costuming alone. While some of Rochon’s outfits have a bit of a stream punk effect, more than anything it is obvious that the budget did not allow for a real life recreation of the clothes that the characters would have actually worn in this era. Kind viewers will find that this gives the enterprise an enjoyable silliness, though. Others, well…Fort Doom.jpg

Surprisingly, what is not silly here is how accurately screenwriter Matthew Howe, who developed the story with the film’s director J. Christian Ingvordsen, seemingly predicated our current misogynistic and racist government controlled by powerful white men. Willing to do anything to stay in power, the vengeful founding father types in this film ultimately serve as a chilling prophecy and a reminder of how this destructive mindset has always existed in our culture.

That Rochon, who has survived her own share of personal hardships over the years, is our stand-in here, supplying strength and resolve and sassiness, is also a plus and an assurance that perhaps, like her Lacy, we will truly rise above this current regime, as well.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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