That chill is quickly sneaking into the air again. As we file for temporary separation from the summer breezes and marry ourselves to the fall season, a new wardrobe consisting of Art of Ruff designs, featuring the cutely spooky imaginings of artist Bryan Ruff, seems essential.
My favorite image, of course, is Ruff’s cutely domestic take on the Frankenstein Monster and his Bride- now celebrating their 201st anniversary, I hear – but there are plenty of other delightfully spooky options to pick from at https://www.redbubble.com/people/TheArtofRuff, as well!
So make those choices count (and no I don’t have that cute model’s number, so stop asking!!!)…and…
Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!
It’s hard to find the gratitude sometimes, right?!? Money worries, career concerns, the state of the world, seasonal depressions… But you grab what you can when you can and sometimes the littlest things can turn you around.
My friend Deborah Dutch was visiting this past weekend. As we chatted and prepped for our evening adventures, I noticed my copy of the recently released Creepozoids soundtrack on vinyl. I asked her to pose with it…and, suddenly, life seemed kind of cool again.
As an overview, I was lucky enough to interview horror queen Linnea Quigley for the liner notes for this Terror Visions product. The fact that Deb is often associated with her, having appeared as an actress in such projects as Hard to Die, Sorority Girls and the Creature from Helland others, made this photo pairing seem like electric kismet. (Deb and Linnea actually even appear together in a scene in the cult slasher film Graduation Day!) This simple photo op made me realize how cool my life is. I have some amazingly creative friends and have been able to work on interesting projects. I’m also sure I’m not the only one in this position. I have a hopeful feeling that any person reading this right now can say the same about their life.
So, here’s to the vibrant connections that make our existences special!
Meanwhile, if you have exploitation soundtrack fever, Terror Vision is always uncovering amazing, rare celluloid tunes. http://www.terror-vision.com/.
Inspiration is found everywhere – even on Instagram and Twitter. One of the coolest people that I have come across in my internet travels is Bambi Generazzo AKA Toxic Bambi.
Describing herself as a “Robot Building Super Villain in Training,” this amazing artist is not only using her unique outlook to transform the world, but she is also bringing awareness to the world of disability. Defying and redefining her cerebral palsy diagnosis with the powerful energy of a pigtail wearing, color happy, comic loving adventuress, she is a true beacon of awesomeness.
Independent art makes the world go round. Case in point, one of the coolest things to happen to the LGBTQIA community was the ‘90s queer core music movement. Artists like Bikini Kill, Come, Pansy Division and the Rotten Fruits proved that there was a wide variety of DIY entertainment options for those who like an angrier, grittier, more angular approach to the creative muse.
In keeping with the energy of those vibrant times, artist Jeff Junker has just released Queer Punk Horror Art, a compilation of his work that is sure to bring back the ragged vibes of those days with the turn of every page.
The majority of society feels like it is living on a perilous financial ledge, as of late. Expenses rise. Salaries stay the same…or even worse, decrease. One disaster could put many of us on the streets or, perhaps even worse – back on our parents’ couches! Thus, it seems ever more important to lend a hand when we can…even if it is just a couple of dollars.
Zack Kauffman, one of the brilliantly creative minds behind Atomic Cotton, has recently incurred some major medical expenses and is need of the horror community’s assistance. He and his wife, Erica, are great people and I’m sure that even that loose change that is jingling softly in your apartment’s corners would truly help them out.
It’s cool that a “woof” on the Scruff app of my phone means that some dude 3000 miles away from me thinks that I’m hot. But, in all honesty, it’s a magazine like Woof! Dog Eat Cinema Magazinethat truly brings out the beast in me!
Coming straight from the dirty sheets of The Netherlands, courtesy of editor-creator Hans Minkers, this publication is perfectly pulsating with provocatively illustrated articles on everything from post apocalyptic roller skate movies to the filmic output of Draculina publisher Hugh Gallagher. You can also find substantive reports on the movies of Andy Milligan (Issue #4, Hans Van De Broeck) and the creations of director-producer Johan Vandewoestijne (Issue #5, Van De Broeck), one of the men responsible for the popular Troma title Rabid Grannies.
As someone who prides himself on owning as many variants of Alice, Sweet Aliceon tape as possible, I also love how each issue focuses on a different VHS collector, honing in on their special interests and passion films. Minkers also is the force behind one of the more enjoyable regular features, Whatever Lola Wants. Here, he reviews a VHS from his collection that has been chosen by his 4 year old daughter. Thus, we are treated to explorations of films as varying as Clue and Stephen Spielberg’s Duel.
Nicely, decadent artwork is one of the primary focuses of this vibrant creation, as well. Sane Van Der Horst’s howlingly phallic creation in Issue #3 is a standout while Printsploitation founder Scott R. Miller contributes a centerfold full of unique performers for the publication’s latest issue. Willie Darktrousers also comes up with some enjoyably monstrous creations for the Gallagher feature.
And while the sleaze and grease of psychotic celluloid aberrations fully populate this enterprise, the feministic perspective is not ignored here. Laura Louwes is always on hand to give smart and fun reactions to classic porn titles with A Woman’s Perspective.
Filled with sexy action and cinematic intrigue, Ruger, a new comic book created and written by genre goddess Sybil Danning, is a welcome treat for many reasons. The primary pleasure, though, is the lead character, herself. Strong, mysterious and enjoyably anti-authoritarian, Ruger is definitely deserving of becoming a well recognized feminist icon.
Based upon the character from the popular late ‘80s action flick L.A. Bounty, here our heroine is out to nab a payday by bringing in a charismatic Canadian diplomat. The only problem is that he is under the protection of the Federal Government of the United States. Naturally, flying bullets, explosions and epic car crashes are part of the journey that the primary focus takes to try to claim her mark.
Agreeably, the artistic team, including Scott Ethan Ambruson, G.W. Fisher and Dash Martin, have a natural affinity for the exploitation films that Danning is honoring here. They particularly capture Ruger’s chill, insolent nature as she toys with the soldiers and officials who are busy at work trying to neutralize her plans.
Nicely, this buoyant energy makes one truly excited for the future adventures that are sure unfold around this irreverent bounty hunter in the next two issues of the series.